WhiteTriangleLeft       WhiteTriangleRight1

41. MODEL AND BELL

ModelBell

Also on the West wall is a small model church and a bell. The church is likely to be St Stephen’s Chapel, an early forerunner of St Mary’s.    PLAN

 

42. CATHEDRAL STAIRWAY WINDOW

NAccessWIndow

We now leave St Mary’s and walk around to the Cathedral Hall. At the Cathedral end of the hall, a stairway leads down to the carpark. It is illuminated by this interesting window, but I cannot find any information about this.

 

43. CATHEDRAL NAVE

Nave

The nave is magnificent, and this photograph doesn’t show half of it! The roof with its three gables soars above, and leads our eyes to the chancel, and the fairy lights are a delight. We shall return here later to examine the nave in detail.   

 

44. FRONT NAVE

AcrossCrossing

We move to the front of the nave. The altar is before us, but we will first investigate the little chapel behind it, and to the right – the Marsden Chapel. Note the dark diamond on the wall to the right of the Chapel.  

 

45. MARSDEN CHAPEL 

MarsdenChapel

Every cathedral needs a space for smaller gatherings. The Marsden Chapel is such a place. It is named after the Reverend Samuael Marsden who established the New Zealand mission to the Māori people in 1814.

 

46. SCULPTURES

MadonnaKathleenHall

Outside the Chapel is a small Madonna and Child sculpted by R. N. Field in 1975. Inside is this figure of Kathleen Hall, an Anglican missionary nurse from old St. Sepulchres in Auckland (now the Anglican Maori Mission), who decided in 1935 to work in China. She had shunned easier posts and chose instead villages where there was barely food for one meal a day and there were no medical supplies.

 

47. CHAPEL

MarsdenChapelWWindows

We begin with an overview of the Chapel, starting at the rear. Kathleen Hall stands in the back corner.

 

48. MARSDEN CHAPEL

MarsdenChapelWindowsW2E

At the front of the Chapel is a small altar and a cross. The Chapel has five windows designed by John Baker.

 

49. CHAPEL WINDOWS I

MarsdenChapelWindowsW2E1

The windows require a little interpretation! Here at left is the Lord’s Ascension, and at right the Day of Pentecost.

 

50. CHAPEL WINDOWS II

MarsdenChapelEWindows

The three remaining windows show (from left): the stoning of Stephen, the baptism of the Ethiopian eunuch, and the institution of the Communion.

 

51. CANDLES AND BELL

VotiveCandlesBell

Just outside the Chapel is the votive candle station. This was designed by Robert Eriksen to commemorate Queen Elizabeth’s Diamond Jubilee. It was dedicated by The Archbishop of Canterbury, Dr Rowan Williams, in 2012. The bell would be used in Cathedral services.

 

52. CHOIR

Chancel

We rejoin the Choir in practice ... . Organ and choral music are a vital part of the worship in most cathedrals.

 

53. ORGAN PIPES

OrganPipes  OrganConsole

The three manual organ was built in 1968 by Harrison and Harrison of Durham. The case was designed by Malcolm Mackenzie and features the pipes of the 32 ft Contra Salicional and the copper Fanfare Trumpets which are displayed ‘en chamade’.

 

54. CHANCEL

EChancel

The chancel is the music centre of the Cathedral. It is here that the Choir gathers to sing. In many cathedrals, the smaller Evensong congregations join with the Choir, sitting in the Choir stalls.

 

55. TRANSEPT WINDOW AND WAND

ChancelNWindowWand

This window in the North transept is the work of the respected English artist, John Baker. It illustrates a passage from the Book of Revelation. The Bishop’s wand is used in ceremonial processions.

 

56. KNEELERS

ChoirKneelers

Every cathedral has its own style of kneelers. I particularly noticed the NZ bird and flower theme here.

 

57. CATHEDRA AND CHAIR

CathedraPrecentorsChair

Holy Trinity is a cathedral rather than a church because of the presence of the Bishop’s throne or ‘cathedra’, shown at left. At right is the Precentor’s Chair. A precentor is a person who helps facilitate worship Sunday by Sunday.

 

58. ROSE WINDOW

RoseWindow

The rose window above the sanctuary is the work of English artist Carl Edwards. It symbolizes the Trinity of Father (eye), Son (cross), and Holy Spirit (dove).

 

59. SANCTUARY

EWall

The sanctuary corresponds to ‘the Holy of Holies’ in the Temple. This part of a cathedral is frequently roped off, set apart, as an especially sacred place. The empty cross signifies the worship of the Risen Christ.

 

60. BACK TO THE NAVE

ToTheNave

We normally finish a cathedral tour at the sanctuary, but here we return to the nave which is uniquely colourful.

 

 

TO NEXT PAGE – >

<– TO PREVIOUS PAGE